Marie Woo, a pioneering Chinese-American ceramicist and influential educator, passed away on February 28, 2026, at the age of 97. Known for her profound impact on contemporary ceramics and her dedicated efforts to preserve traditional Asian pottery, Woo leaves behind a legacy of artistic innovation and cultural stewardship. Her work, characterized by its thoughtful interplay of form and function, challenged conventional notions of pottery and is celebrated in collections worldwide.

Born in Seattle, Washington, on April 3, 1928, to Southern Chinese immigrant parents, Marie Woo discovered her passion for art early in life. She pursued her formal education at the University of Washington, earning her Bachelor of Fine Arts degree in 1954. Her artistic journey continued at the Cranbrook Academy of Art, where she completed her Master of Fine Arts in 1956. It was at Cranbrook that she honed her skills under the tutelage of Maija Grotell, the esteemed Finnish ceramicist often referred to as the "Mother of American Ceramics," who profoundly shaped Woo's early methods and teaching philosophy.

Woo's artistic vision was significantly influenced by her extensive travels and research in Asia. In the 1960s, she embarked on a transformative period in Southeast Asia, including postgraduate studies in Bizen, Japan, where she immersed herself in ancient methods of unglazed pottery. This experience ignited a lifelong commitment to Asian ceramic traditions. Later, in 1995, a visit to Beijing, China, alarmed her by the rapid decline of traditional ceramic practices due to modernization.

Driven by a desire to preserve these vanishing art forms, Woo secured an Asian Cultural Council Research Grant from the Rockefeller Foundation in 1998. This grant facilitated over a decade of extensive research across China, where she explored remote kiln sites and amassed a significant collection of folk pottery. Her tireless efforts culminated in the acclaimed 2013 exhibition, "Chinese Folk Pottery: Art of the Everyday," which debuted at the University of Michigan Museum of Art and subsequently toured national museums, bringing critical attention to these endangered traditions.

As an artist, Woo was celebrated as a "potter's potter," renowned for her technical mastery and playful experimentation. Her distinctive style often featured intentional imperfections, such as slashed and broken forms, and strategically placed tears and gouges that blurred the lines between utility and sculpture. She developed and refined signature glazes, notably "Woo Yellow" and "Woo Blue," which are recognized and replicated by ceramicists internationally.

Beyond her studio practice, Marie Woo was a dedicated educator and community advocate. She taught at prestigious institutions including the University of Michigan, the University of Washington, Chulalongkorn University in Thailand, and the College for Creative Studies in Detroit. She was also a founding member of "Clay Ten," an experimental traveling ceramics collective that provided vital exhibition opportunities for potters from 1981 to 1993. Her commitment to arts education extended to Pewabic Pottery in Detroit, where she championed the continuation of classes as a board member.

Her exceptional contributions to the arts were recognized with numerous accolades throughout her career. In 2019, she received the Lifetime Artist Achievement Award from the Michigan Ceramic Arts Association. A significant honor came in 2020 when she was named the Kresge Eminent Artist, an annual metro Detroit award recognizing lifetime achievement, making her the first ceramicist to receive the $50,000 prize since its inception in 2008.

Marie Woo was married to architect Harvey Levine, whom she met at Cranbrook, and together they had a son, Ian, and a daughter, Leslie Raymond. She resided in West Bloomfield, Michigan, where she spent her long and productive career. Her life's work stands as a testament to her unwavering dedication to clay, her innovative spirit, and her profound influence on generations of artists and the broader cultural landscape.