
Howard Sobel Storm
Television and film director, actor, and comedian
- Lifespan
- December 11, 1931 – May 26, 2026Dec 11, 1931 – May 26, 2026
- Location
- Beverly Hills, California, USABeverly Hills, CA

Television and film director, actor, and comedian
A veteran director who served as the steady hand behind some of comedy’s most volatile geniuses, Howard Storm died on May 26, 2026, at the age of 94. He was best known for helming dozens of episodes of 'Mork & Mindy' and directing the film debut of Jim Carrey. His death at his home in Beverly Hills was confirmed to the media by his son, Anthony Storm, as reported by The Hollywood Reporter.
The man who would eventually guide the careers of Hollywood’s most manic stars began his own life in the most theatrical of settings: born Howard Sobel on the kitchen floor of an apartment on the Lower East Side of Manhattan. As the son of a vaudevillian and burlesque comedian, show business was not just a career choice but a biological imperative. He often remarked that he knew from the age of two that he wanted to be in the industry, jokingly noting that while his friends wanted to be policemen or gangsters, they all succeeded while he pursued the stage. This pedigree gave him an innate understanding of the mechanics of a joke and the temperament of the person telling it.
His professional journey began in earnest in 1959 when he signed a contract with the Desilu Workshop, the training ground for young actors established by Lucille Ball. Before he moved behind the camera, he spent years under the bright lights himself as a stand-up comedian. He honed his timing in Las Vegas, opening for singer Andy Williams, and became a familiar face to national audiences through 14 appearances on 'The Merv Griffin Show' during the 1960s. This period as a performer was critical; it allowed him to speak the language of the stage, a skill that would later make him a comedy whisperer for actors who felt misunderstood by more rigid directors.
By the late 1960s, he began a pivotal transition into the world of film and television production. He served as a collaborator and assistant for Woody Allen on landmark comedies such as 'Take the Money and Run,' 'Bananas,' and 'Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask).' According to the Directors Guild of America, these early experiences allowed him to see how a director could shape raw humor into a cohesive narrative. He soon moved into writing, contributing scripts for iconic series like 'The Partridge Family' and 'All in the Family' before making his official television directing debut in 1975 with an episode of 'Rhoda.'
The heart of his career arrived in the late 1970s when he was tasked with managing the lightning-in-a-bottle energy of a young Robin Williams. Between 1978 and 1981, he directed 59 episodes of 'Mork & Mindy,' a role that required him to provide a safe structure for Williams’ improvisational brilliance. He famously recalled that after his first day with Williams, he told his wife it was like working with Charlie Chaplin; he described the young actor as a genius who was scary. His ability to anchor such volatile talent became his trademark. As noted by Forbes, he repeated this feat in 1985 by directing 'Once Bitten,' the feature film that gave Jim Carrey his first leading role in a motion picture.
In his later years, he became a pillar of the industry, directing episodes of 'Taxi,' 'Everybody Loves Raymond,' and 'Full House.' He was a pro’s pro who never felt the need to outshine his stars, instead focusing on the technical precision required to make comedy look effortless. He served as the Chairman of the Directors Guild of America Awards for seventeen years and received a DGA Award nomination in 1998 for his work on 'Kenan & Kel.' He remained active well into his eighties, publishing his memoir, 'The (Im)Perfect Storm: From Henry Street to Hollywood,' in 2019. He is survived by his wife, Patricia Ridgely Storm.
He will be remembered as the craftsman who knew how to build a cage for a hurricane. In an industry of egos, he was the rare director who understood that his job was to be the steady ground beneath a performer's feet. He didn't just direct scenes; he curated the space where genius was allowed to be dangerous because he was there to catch it if it fell.
Those who wish to honor Howard's memory are invited to .
Remembering those we recently lost
Plant the first tree in their honor
Share your thoughts and memories
Be the first to write a tribute.